Posts Tagged ‘hot fuss

21
Oct
10

Album Review: Brandon Flowers – Flamingo

The Killers had a good thing going. Both Hot Fuss and Sam’s Town shook up the music scene with their hook-heavy indie ballads, foot-tappingly infectious riffs and Brandon Flowers’ primal sincerity in nearly every line he sang.

 

 

But with the release of Day And Age music critics began suspecting that the band was losing the magic that made The Killers killer. The band did what every band does when they start running out of ideas, they played it safe and as a result Day And Age had very little going for it and ended up turning a lot of diehard fans off The Killers altogether.

So it was no real surprise when Brandon Flowers announced he was striking out alone and even less of a surprise when the first single off Flamingo landed sounding almost exactly like the material Flowers used to play with The Killers.

Give it a few listens though and it quickly becomes apparent that while there are a lot of similarities between The Killers and Flowers’ solo album, there are enough differences to keep it interesting and given time, Flamingo reveals an amazing depth that it’s easy to miss if you aren’t listening carefully.

Click here for the whole enchilada…

-ST

04
Dec
09

Who Cares About The Killers?

They were one of those bands that took awhile to grow on me, I mean, I’d heard ‘Mr Brightside’ playing on the radio for a couple of months, but didn’t really take to the song at all and as such, it just formed part of the background noise of my life during my chaotic student years while I was drinking my body weight daily and making insidious efforts to avoid doing any actual work.

 

 

My first clear memory of them is from 2004, I was in the gym (of all places) and ‘Somebody Told Me’ started pounding its way over the speakers right into my brain. Before the song was through, I was hooked and a few weeks later got my dirty paws on the album.

Even then I didn’t take it too seriously until one night, a full year later, I was suffering from the worst kind of heartache you can imagine and ‘Smile Like You Mean It’ drifted through the empty corridors of the mansion of a digs we used to live in.

It is, to this day, one of my favourite Killers songs. Something about that song resonates deeply in my bones and I think always will. It’s like the feeling you get when you go back to the house you grew up in, or the place you got your first kiss.

‘And someone will drive her around, down the same streets that I did, on the same streets that I did…’

Of course after that it was only a matter of time before I fell for the other gems Hot Fuss had to offer. I’ve belted out the lyrics of ‘All These Things I’ve Done’ at drunken parties, in drunken bars, in drunken clubs, and by myself, when I’m drunk, more times than I think I could ever count… or remember.

 

 

And yet When Sam’s Town was released in 2006, I was completely meh about the album. A buddy got it for his birthday a week after ‘When You Were Young’ started playing over the radio and we played the album on infinite repeat that weekend at his party and I can’t say it did much for me.

I remember there being some heartfelt tracks that grabbed my attention that night, in retrospect one of them was probably ‘Read My Mind’, but other than that I wasn’t really blown away by the album at all.

A year later though, ‘Exitlude’ became the story of my life. I fell in love hard and fast over two weekends with a woman who would become the love of my life but who, at the time, was only over for a short holiday because she was living in London.

When she went back to London after those ten days we spent together, I kept finding her things around my flat, a misplaced earring here, a fiery, red-golden hair there, her pyjama top mixed up in a pile of my clothes and a CD, Sam’s Town, underneath the passenger seat in my car.

‘We hope you enjoyed your stay, it’s good to have you with us, even if it’s just for a day. We hope you enjoyed your stay, outside the sun is shining, seems like heaven ain’t far away…’

 

 

Needless to say, that album fast became a favourite of mine, but it wasn’t until I heard Sawdust, the B-Sides album that came out later that year that I finally conceded that yes, The Killers were a fucking cool band.

I’ve always said judge a band not by their studio albums or radio singles, judge them rather by their live shows and their B-Sides, and Sawdust was packed full of great B-Sides.

The album was by far the edgiest release they had put out to date and as a result, not many people liked it, but personally, I was really impressed with what I was hearing, especially one of the bonus tracks, the alternate version of ‘Sam’s Town’ which is played almost exclusively on the piano.

‘I’ve got this energy beneath my feet,’ Flowers sang, ‘Like something underground’s gonna come up and carry me. I’ve got this sentimental heart that beats, but I don’t really mind that it’s starting to get to me…’

I don’t really mind that it’s starting to get to me. I sang that line a million times that year. I don’t really mind that it’s starting to get to me, because the irony implicit in that line spoke to me, it meant something to me and made me feel a certain way every time I heard it and like all art, the really good stuff, I guess on some level it made me feel less alone.

And then came Day and Age, the band’s fourth album and almost overnight, all the years of respect I’d slowly amassed for The Killers curled up into a little ball in the corner and died.

 

 

What the fuck was that? Seriously, what the fuck was that?! Because to me it sounded like it was rushed, it sounded like the band had gotten lazy and / or had sold out completely.

If you think ‘Human’ is a good track, I have some really bad news for you. You are retarded. ‘Are we human or are we dancer?’ Isn’t there an ‘S’ missing from the end of that last word? And besides that fact, isn’t that song just about the most irritating dance / pop / rock track ever to be recorded?

There is no substance to Day and Age whatsoever and to my knowledge, only two singles were released off the album, and like a fat man at a house party who farts loudly during those precious few moments between the previous song and the next one, the band seemed to slink quietly out of the room to go and reflect on what they’d done.

Day and Age made me realise that Brandon Flowers has a whiney voice. It made me realise that there are tracks off their previous albums that are really bad. I’d never listened to any of their stuff from the perspective of a hater, but Day and Age changed that, and once I started down that road I found there are a buttload of tracks off their albums that are puke-worthy.

The best song on Day and Age was the bonus track ‘A Crippling Blow’ which, ironically, I don’t think was included on the original CD and was only available if you downloaded the album off iTunes.

And so now here we sit, a year since that abortion of an album was released and I’m not sure anyone cares about this band anymore.

You can tell when a band has passed the apex of their fame when they come to South Africa on tour. It’s almost sad when I find out about bands coming to play here because the first thing I think is, ‘Ahhh jeez, do they suck that much now? Damn, I thought they were doing really well…’

And yeah, I bought tickets to go and see The Killers tonight, but am I excited about the concert? Not really. And so I find myself asking the question, Who cares about The Killers? Are they still the band they were a few years ago in everyone’s eyes?

Call me a cynical fucker, but I don’t think so. I guess tonight will be the test of that, but I really hope for the band’s sake and mine, they only play three tracks off Day and Age at the very most and for the rest of the concert we can pretend that it’s still 2006 and that this is a band we actually all still give a shit about.

-ST




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